UNSa. Facultad de Humanidades.
Organización: a cargo de Lic. M. Guadalupe Rinaldi y colaboradores: Bronzone Laime María Estrella, Galíndez Héctor y Villegas Alejandra Gabriela.
Fecha del evento: 15 de Noviembre del 2024
Lugar: Centro Holver Martínez Borelli.
Horario: de 09:00 a 20:00.
Presentación e invitación a participantes:
Desde la cátedra Historia del Arte presentaremos problemáticas y líneas novedosas de investigación en el área con el propósito de contribuir a la inclusión social de comunidades productoras de arte mediante la aceptación de perspectivas simbólicas y valores culturales que orienten a una revalorización del arte americano y sus expresiones rituales desde epistemologías alternativas. Ello elevará el propósito de construir desde una perspectiva crítica la resistencia sostenida de los grupos culturales en su singularidad para expresar situaciones de tensión política, crisis ambiental y el retorno a las memorias ancestrales como patrimonio de los pueblos originarios en su sabiduría del cuidado y respeto por la naturaleza. Este pliegue cultural al que le asignamos gran valor epocal, consideramos que debe reforzarse articulando conocimientos que logren asimilar la noción de “arte vivo” trabajada por artistas del centro cultural Tewok, quienes invitan a través de su poesía, cerámica, etc. a mantener dinámico el espíritu de sus ancestros mediante historias, memorias y creatividad. Por lo que los invitamos a participar de este encuentro para compartir nuestros estudios sobre la profundidad simbólica que han aportado desde su trabajo en OTHEIWE’NEY/ la visión, ya que estamos elaborando escritos para realizar una devolución al grupo en torno a nuevas perspectivas del arte contemporáneo, valorando como muestras de una profunda formación cultural el espacio sagrado y la luminosidad que ha provocado su arte en la muestra organizada por la Fundación Cebil en el Museo de Bellas Artes en agosto de 2023.
Nuestros avances de investigaciones muestran la situación conflictiva en el área de Historia del arte para abordar, desde cánones occidentales, el simbolismo de otras culturas. Por lo que nos enfrentamos a un tópico problemático, desde donde los criterios escolares de la historia del arte occidental quedan obsoletos para dar continencia a otras expresiones comunitarias de arte no occidental, ya que estos últimos se encuentran profundamente entramados con experiencias festivas, ritos, modos de compartir y solidarizarse en las comunidades.
Desde los vectores nuevos en epistemología (hibridaciones y constelaciones disciplinares (Brea), como también la construcción de un paradigma “otro” antihegemónico (Mignolo), conceptos que trabajamos en la cátedra respecto a diversos campos de la cultura, corresponde crear nuevos criterios alternativos para la revalorización del arte americano contemporáneo. Trabajaremos y mostraremos avances de investigación respecto a la trama arte-política que estudiamos desde el posestructuralismo y desde el profundo aporte que realizaron los autores decolonialistas: Escobar, Fanon, Mignolo, Colombres, Dussel, Gordon, Souza Santos, etc. para dar cuenta de la conjunción de acciones presentes que responden a esa productividad social de arte, política y resistencia. Motivo por el que también invitaremos colegas de otras áreas para dar tratamiento a problemas en común desde la economía, la salud, la perspectiva histórica, la literatura, etc. para reforzar la construcción alternativa al paradigma epistémico colonial.
Objetivo General:
Abrir un espacio para el desarrollo de puntos de vistas críticos logrando articular puntos de vista de las comunidades y alternativas para la valoración de las diversidades y sus configuraciones sensibles de resistencia al modelo de vida del capitalismo extractivista signado por la explotación desmedida de la naturaleza.
Ejes temáticos para expositores:
Arte americano: nuevas expresiones y actividades de resistencia al modelo hegemónico. Experiencias umbrales y narrativas decolonialistas.
Nuevas epistemologías: hibridaciones y constelaciones disciplinares.
Pobreza, economías, neoimperialismo y distribuciones asimétricas.
Salud, políticas distributivas y recepción de las miradas desde las comunidades.
Los saludamos cordialmente y contamos con su participación.
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